In the early stages of production, Kubrick had commissioned noted Hollywood composer Alex North, who had written the score for Spartacus and also worked on Dr. Strangelove, to write the score of his upcoming film 2001: A Space Odyssey.[1] However, during post-production, Kubrick chose to abandon North's music in favor of classical music pieces he had earlier chosen as "guide pieces" for the soundtrack. North did not know of the abandonment of the score until after he saw the film's premiere screening.[2] The world's first exposure to North's unused music was in 1993 via Telarc's issue of the main theme on Hollywood's Greatest Hits, Vol. 2, a compilation album by Erich Kunzel and the Cincinnati Pops Orchestra. All the music North originally wrote was recorded commercially by North's friend and colleague Jerry Goldsmith with the National Philharmonic Orchestra and was released on Varèse Sarabande CDs shortly after Telarc's first theme release but before North's death. Eventually, a mono mix-down of North's original recordings, which had survived in the interim, would be released as a limited edition CD by Intrada Records.[3]
2001: A Space Odyssey is a soundtrack album to the film of the same name, released in 1968. The soundtrack is known for its use of many classical and orchestral pieces, and credited for giving many classical pieces resurgences in popularity, such as Johann Strauss II's 1866 Blue Danube Waltz, Richard Strauss' symphonic poem Also sprach Zarathustra, and György Ligeti's Atmosphères. The soundtrack has been re-issued multiple times, including a digitally remastered version in 1996.[2]
2001 space odyssey soundtrack mp3 free download
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The end music credits do not list a conductor and orchestra for "Also Sprach Zarathustra." Stanley Kubrick wanted the Herbert von Karajan / Vienna Philharmonic version on English Decca for the film's soundtrack, but Decca executives did not want their recording "cheapened" by association with the movie, and so gave permission on the condition that the conductor and orchestra were not named. After the movie's successful release, Decca tried to rectify its blunder by re-releasing the recording with an "As Heard in 2001" flag printed on the album cover. John Culshaw recounts the incident in "Putting the Record Straight" (1981)... In the meantime, MGM released the "official soundtrack" L.P. with Karl Böhm's Berlin Philharmonic "Also Sprach Zarathustra"[21] discreetly substituting for von Karajan's version.
In the early stages of production, Kubrick had actually commissioned a score for 2001 from noted Hollywood composer Alex North, who had written the score for Spartacus and also worked on Dr. Strangelove.[22] However, during post-production, Kubrick chose to abandon North's music in favor of the now-familiar classical music pieces he had earlier chosen as "guide pieces" for the soundtrack. North did not know of the abandonment of the score until he saw the film's premiere screening.[23]
In March 1966, MGM became concerned about 2001's progress and Kubrick put together a show reel of footage to the ad hoc soundtrack of classical recordings. The studio bosses were delighted with the results and Kubrick decided to use these "guide pieces" as the final musical soundtrack, and he abandoned North's score. In an interview with Michel Ciment, Kubrick explained:
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The Illinois-based software company CDK Global created six MP3 tracks that are free to download and use. The songs run three to four minutes in length and are all classified as classical guitar, country, easy listening, or smooth jazz.
North believed, until his dying day, that his score for 2001 was the better accompaniment to Kubrick's images and that his talents had been grossly undervalued. Only now, with the reconstruction of his soundtrack can we make our own minds up.
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As a fan of the Cosmos TV series (both old and new), their respective hosts Carl Sagan and Neil deGrasse Tyson, outer space, and orchestral music, this soundtrack was made for me. I hope you enjoy it as much as I have.
A riff itself on the title of Stanley Kubrick's "2001: A Space Odyssey," "Space Oddity" was one of the Bowie's greatest hits in its heyday. But the reason you know it, even if you don't know you know it, is that it's also had a second life as the ultimate soundtrack song, creating the perfect ambiance for movies and shows of all kinds -- by acting as the backdrop to cinematic journeys both literal and emotional, or just expressing the disconnected, drifting loneliness of heroes who are trapped in outer space, emotionally speaking. 2ff7e9595c
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